South asian american literature

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Added: 27.08.2019
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I teach at Lehigh University in eastern Pennsylvania. To my knowledge, this is the first time a course with this title has been taught at Lehigh University. Below I am posting an overview of the course with some commentary added here and there. Get the edition. Gene Yang, American Born Chinese
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Although critics like Lisa Lowe and Kandice Chuh have strongly argued for redefining Asian American studies as more inclusive and heterogeneous, a majority of Asian Americanists still seem hesitant to include and acknowledge South Asians in Asian American literary studies. South Asian American writers are inconsistently classified as Indians, South Asians, and sometimes Asian Americans in different literary anthologies, which suggest that the place of South Asian American literary writers within Asian American literary studies is, to borrow Lavina Shanker's phrase, "a part, yet apart. Asian American literary studies was, therefore, preoccupied, as Chuh and Lowe have acknowledged, with the issues of oppression, marginalization, and East Asian immigrants' and their American born children's membership and acceptance into the society, "producing an essentialist discourse that operates along principles of particularism and exclusivism. This special session will examine the place of South Asian American writers in Asian American literary studies and explore to what degree they fit or reflect or perhaps challenge the premises of Asian American literary tradition.
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Working Around Ethnographic Entanglements: South Asian American Literature and Popular Culture

Emmanuel Mones smithsonian. She opens a copy of her recent poetry chapbook and begins to read. The authors came from a variety of cultural backgrounds, and in their diversity, demonstrated both the challenges and the opportunities of the growing Asian-American literary space and the museums that amplify its voices. Emmanuel Mones In one, Ahmed imagines what would come of an encounter between their forebears—"if our grandfathers could meet. Would they have endured the summer heat to dance in honor of our ancestors and pick apart the proximity of meaning to tradition?
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Please note that if your proposal is accepted and you agree to participate, you will need to become a member of CAALS prior to presenting, in addition to registering for the conference. However, while there are experiences and voices that become more visible through these forms, there are others that remain, or even become, increasingly more invisible. What are some of the productive tensions between them? Could some become more invisible because of the hyper-visible, or vice versa? How do various genres play into this asymmetry?

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